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Roman Yusipey (acc​)​, Robertas Beinaris (ob) - MAXIM KOLOMIIETS - Re​-​Pulse for Oboe and Accordion (2012)

from Contemporary music from Ukraine by LENsemble Vilnius

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MAXIM KOLOMIIETS (*1981) graduated from the Kiev National P. Tchaikovsky Academy of Music in 2005 as oboist and in 2009 as composer. Since 2014 he has been studying composition at the Hochschule für Musik und Tanz in Cologne under Johannes Schöllhorn. He is a co-founder of Ensemble Nostri Temporis and founder of Luna Ensemble for ancient music. He is the winner of the national competitions Gradus ad Parnassum (Kiev, 2000), Step to the Left (Saint Petersburg, 2012) and 3rd prize laureate at the Vareler Komponistenpreis (Oldenburg, 2015). As the performer Kolomiiets took part in many Ukrainian and foreign festivals and master courses. His music has been performed at the international festivals: Other space, Gogolfest, Contrasts, Summer New Music Courses in Darmstadt, Randfestspiele in Zepernick, World Music Days in Leuven etc. Among the performers of his music are the National Symphony Orchestra of Ukraine, Kiev Chamber Orchestra, Syrinx Flute Quartet, Ensemble Nostri Temporis, GAM-Ensemble, Moscow Contemporary Music Ensemble, musikFabrik, Vladislav Pesin, Ian Pace, Roman Yusipey.
Re-pulse for oboe and accordion (2012)

Pulse is the possible metaphorical entrance into the existence and filling the space with self. The heartbeat, day and night and the trajectories of planets are the different forms of emptiness. The emptiness slowly fills in the space and transforms into the familiar shapes of color, desire, fading glance. Thus we recognize ourselves in the emptiness and achieve our nothigness.
re-surrection, re-building, re-order, re-flection, re-jection
Reflection of time slowly dissapears in the pulsatory emptiness. (Maxim Kolomiets)

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from Contemporary music from Ukraine, released February 26, 2022
Live recording, 19 Sept. 2015

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NoBusiness Records - CC Series Vilnius, Lithuania

We believe that Free Improvisation and Contemporary Classical Music are just two dialects of the same language. That is why we start this series within the NoBusinessRecords Label: to create more synergy between these musical circles and to create opportunities for fans in both aesthetics to discover one another’s treasures in music.

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