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Rytis Paulius Ju​š​kaitis (pno) - VITALY HODZIATSKY - Р​а​з​р​ы​в​ы П​л​о​с​к​о​с​т​е​й for Piano [1963]

from Contemporary music from Ukraine by LENsemble Vilnius

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A representative of the so called Kiev Composers' School in 1960s–70s (together with Leonid Grabovski, Valentin Silvestrov, Vladimir Zagorcev, Vladimir Guba, Sviatoslav Krutikov, Petr Savolkin and others) VITALY HODZIATSKY (*1936) studied composition under Boris Lyatoshinski at the Kiev National P. Tchaikovsky Academy of Music in 1956–1961. In 1970 he was removed from the Soviet Composers' Union for his creative principles that contravened the Soviet position, his works were prohibited and rarely performed. In 1975–1982 Hodziatsky lead the Kiev cinema theatre music ensemble.
Chamber music, movie music and compositions for the theatre take the dominant position in Hodziatsky's creative activity. Among the most prominent oeuvre: Poem for orchestra (1961), symphonies Periods (1968) and Stabilis (1990), suite Cinderella for orchestra (1987), wind quintet Morning Bird Song (Утренний крик птицы, 1994), Dreams of Childhood for nine instruments (Сны о детстве, 1997), various compositions for piano – Characteristic Scenes (1963), Sonata No. 2 (1973) etc.
Gaps of the Planes (Разрывы плоскостей) for piano (1963). According to the composer, the title of the composition refers to the science of physics and phenomenon of cosmos and micro-particles. However, there are links with the human experiences and reactions to the atomic explosion and its effects. The musical texture consists of short elements with specific figures of rhythm. First the texture is getting dense and achieves its climax, which is replaced by the calming of tension. There are no traditional harmonies and scales. The sound of composition is based on the aspects of timbre, contrasts of registers and variety of articulation (various accents, staccato etc.).

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from Contemporary music from Ukraine, released February 26, 2022

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We believe that Free Improvisation and Contemporary Classical Music are just two dialects of the same language. That is why we start this series within the NoBusinessRecords Label: to create more synergy between these musical circles and to create opportunities for fans in both aesthetics to discover one another’s treasures in music.

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